Ceci n’est pas un couple is a solo performance for black box and studio theatres
about intimacy, consent and control. Instead of a “real” couple, the work presents a human–doll
relationship where tenderness and violence continually change places, combining contemporary
circus, object manipulation and a strong, AI-processed visual world.
Synopsis
Ville and Jessica are running towards eachother on a sunny deserted beach.
Jessica is happy. Ville is happy. Everything is well. Small fluffy white clouds float on the sky.
Jessica has a female face and a male body. Ville has a male face and a female body.
Jessica’s face looks like a haircut training head. Ville’s face looks like juggler Ville Walo.
All is perfect. Waves roll on the sand. Ville and Jessica have forgotten their past wounds.
They love eachother. They are happy. Wind flutters their hair. Something bad must happen soon.
On stage there is no traditional couple, only one performer and a lifeless partner – a doll.
The piece invites the audience to watch how tenderness, violence and projection move across a
body that is partly human, partly object, and partly image processed through artificial intelligence.
The result is both intimate and unsettling: a relationship that exists only in this fiction, in
this light, in the spectators’ gaze.
Themes
There’s no couple consisting of two persons on stage, and we don’t see a real life relationship.
Manipulation, consent and identity take the stage. The performance grasps the current discussion
about the hot topics of human relationships and self-definition. The boundary between self and
other is tested by acts of tenderness and violence. Interaction is fictional and illusory in the
solo performance.
When the performer handles a lifeless doll as his partner, we see how the boundary between two
individuals is drawn, crossed and dissolves. Selfhood is defined in relation to the partner, who
is left with the role of a beloved, fetishized or broken imaginary being. This virtuality is
reflected also in how the images of the performance have been modified using artificial
intelligence. There’s always something inhumane, wrong or excessive in them.
Gallery
For presenters & programmers
Festival & theatre pitch
Ceci n’est pas un couple is suitable for contemporary circus and dance festivals,
performing arts seasons and curated programmes focusing on identity, gender and power dynamics.
The performance combines contemporary circus, object manipulation and a precise visual world.
Genre
Contemporary circus / visual theatre solo with object
Format
Solo performance · approx. 50 minutes · no interval
Language
Minimal spoken text, accessible with English notes or surtitles
Audience
Recommended age 15+ · intimate to mid-scale venues
Context
Artist talk or workshop on manipulation, object work and consent available on request
Technical rider — short version
Stage / space
Minimum playing area 6 m (width) × 6 m (depth), free height 4 m.
Black dance floor, black masking where possible, full blackout capability.
Sound
Quality 5.1. PA with subwoofer; multi-channel playback from company laptop (6 outputs),
mixing desk with min. 6 inputs.
Light
Warm and cold front light for full stage; 2–3 specials; cue-based light plan from venue desk.
Set & props
Doll and specific props travel with company.
Power & control
Standard 230 V outlets on stage and at FOH; light and sound control at FOH or back of auditorium.
Personnel
Local technician responsible for venue systems; 1 stagehand for load-in / load-out appreciated.
Contact
Detailed technical rider available on request: technic@w-h-s.fi